I found this entry in James Blaylock’s
Langdon St. Eves series, set in Victorian London and throughout England, and
seriously Steampunk, to be much more gritty than either “Homunculus” or “The
Aylesford Skull.” Now granted, in the latter, the evil mastermind hunchback
Ignatius Narbondo did kidnap St. Ives’ son; but still, St. Ives maintained his
composure for much (if certainly not all) of the time, and so did the reader.
In “Lord Kelvin’s Machine,” Narbondo (never satisfied with the evil he’s done,
always wanting more) has abducted St. Ives’ beloved wife Alice, the light of
his very life, and now St. Ives has no composure. In fact, he is bound and
determined (and armed) to destroy Narbondo forever, if only he can reclaim
Alice—and even if he can’t. The reader’s hook in this novel is incredibly taut
and compelling, almost more than the reader can stand at a given moment (stand
it I did, however) and there is no pause for contemplation here.
Another reason for what I term the
unexpected grittiness in this novel is the understandable evolution of the
character of our staunch protagonist, Langdon St. Ives, once the poet-physicist
and explorer, man of intellectual and exploratory adventure, a man who despite
the depredations wreaked upon him and upon the world in general by the evil
Narbondo, could still find the glass to be “half full” rather than “half
empty,” because he had sufficient love, light, and joy in his life to so ground
him. Now, pursuant to a terrible tragedy, he is at the point of wondering why
he even tries to save the world from Narbondo—certainly this world holds
nothing for him, he is lost and a wandering soul. Only duty and honour keep him
moving. This is not a state to which I’d ever wanted to see Mr. St. Ives
reduced—but it is a state which makes for rousing and constant adventure, and
will rivet readers just as much as it has this reviewer.
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